Valmont (Liev Schreiber) plots deception with Cécile (Elena Kampouris) in Les Liaisons Dangereuses. Hampton manages to convey this dynamic despite an overwritten script that is painfully slow to develop. Its depiction of depravity among the idle rich undoubtedly contributed to the ancien régime's fall from grace in the French popular imagination.
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Written in the decade before the French Revolution, this yarn of sexual intrigue and cruel intentions among the aristocracy unfolds through a series of private letters allegedly leaked to the publisher.
The play is based on Pierre Choderlos de Laclos' novel of the same name. It leaves us wishing that the cast could keep up with the tempo.
With a bold design concept and acidly cynical staging, director Josie Rourke (who crafted this production in 2015 for London's Donmar Warehouse, where she is artistic director) convincingly argues that this is the perfect time for a play about the twilight gavotte of a rotten aristocracy. Les Liaisons Dangereuses debuted on Broadway in 1987 and was last seen on Broadway just eight years ago, so its return seems a bit premature. Are these the ghosts of calcified wealth and power come to haunt their old turf? It's an arresting first moment of a play that is only intermittently compelling due to somewhat stiff performances.
Spectral actors enter singing to dramatic baroque music. Lighting designer Mark Henderson initially illuminates this scene with fluorescent overhead work lamps, but as the play begins, the troffers fly away to be replaced by candlelight chandeliers.
The choice lines and inspired soundtrack hits are all there… THE BEST OF THE ’90s!” GENERAL MANAGER MAXIMUM ENTERTAINMENT ASSOCIATE CHOREOGRAPHER MARIA MALMSTROM CHOREOGRAPHY BY JENNIFER WEBER ORIGINAL DIRECTION BY LINDSEY ROSIN CREATIVE CONSULTANT/TOUR DIRECTOR KENNETH FERRONE Happy hunting!ĮVA PRICE SUCKER LOVE PRODUCTIONS MARTY BOWEN NEAL MORITZ HUNTER ARNOLD BLOOD ORANGE PICTURES MARK LONOW & JOANNE ASTROW TOM MCGRATH RACHEL WEINSTEIN SARA BETH ZIVITZ PRESENT CRUEL INTENTIONS: THE ’90 s MUSICAL CREATED BY JORDAN ROSS, LINDSEY ROSIN AND ROGER KUMBLE BASED ON THE FILM BY ROGER KUMBLE SCENIC DESIGN JASON SHERWOOD LIGHTING DESIGN JEANETTE OI-SUK YEW COSTUME DESIGN TILLY GRIME SOUND DESIGN MATT KRAUS MUSIC SUPERVISION, ARRANGEMENTS, AND ORCHESTRATIONS BY ZACH SPOUND HAIR, MAKEUP, & WIG DESIGN DAVE BOVA MUSIC DIRECTOR DAN GARMON PRODUCTION MANAGER MARY DUFFEE PRODUCTION STAGE MANAGER JAMES STEELE COMPANY MANAGER HANNAH ABAIR ADVERTISING, MARKETING & PRESS BOND THEATRICAL GROUP INTERACTIVE MARKETING ANDY DRACHENBERG CASTING BY HENRY RUSSELL BERGSTEIN, C.S.A.
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Yes, it's the movie you love, set to the songs you know, performed live, with drinks…and missing out might just ruin your reputation. As the two set out to destroy the innocent girl-and anyone who gets in their way-they find themselves entangled in a web of secrets, temptation, and the cruelest game of all: love.įeaturing your favorite throwback hits by artists like Boyz II Men, Christina Aguilera, REM, *NSYNC, and, of course, Britney Spears, NYC’s most intoxicating new musical is a full-on ’90s party. Seduced by revenge and fueled by passion, the two diabolically charming step-siblings place a bet on whether or not Sebastian can deflower their incoming headmaster’s daughter, Annette Hargrove. CRUEL INTENTIONS: THE '90S MUSICAL IS "THE ULTIMATE NIGHT OUT" (EW)!įirst love is a bittersweet symphony! Cruel Intentions: The ’90s Musical pulls you into the manipulative world of Manhattan’s most dangerous liaisons: Sebastian Valmont and Kathryn Merteuil.
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